In 1839 he studied under François-Edouard Picot at the École des Beaux-Arts in Paris. His work was often compared favourably with that of William-Adolphe Bouguereau and Jean-Léon Gérôme and he was the recipient of numerous honours for his work. 102-105 (illustrated).īy the 1860s Alexandre Cabanel had firmly established himself as an academic painter. Blyth, Reimagining Delilah's Afterlives as Femme Fatale: The Lost Seduction, London/New York, 2017, pp. Sa vie, son oeuvre, essai de catalogue," unpublished dissertation, Montpellier, 1962, p. 278.Īrmand (Inventoire Armand), Inventaire des dessins, photographies et gravures relatifs à l'histoire générale de l'art: Légués au département des Estampes de la Bibliothèque nationale par M. Georges Lafenestre, Alexandre Cabanel, Gazette des Beaux-Arts, 3 ed., t. 286.Ĭlaude Vento (pseudonym of Alice Laincel), Les Peintres de la femme, Paris, 1888, p. Hooper, Contemporary French Artists: Meissonier and Cabanel, The Art Journal, New York, vol. Hooper, Parisian Art-Items, The Art Journal, New York, vol. Edward Strahan, ed., The Art Treasures of America being the Choicest Works of Art in the Public and Private Collections of North America, Philadelphia, 1879, vol.
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